Solo Exhibition, Format Oslo, Oslo, Norway
Jan-March, 2024
Munch's quote "Art Grows From Joy and Sorrow," which anyone could relate to, struck her as deeply thoughtful one September. She once again realized that our lives were not always sad and happy, as if our days were also imbued with a complexity that defies simple categorization. Unfamiliar feelings can be experienced as freshness, and routine from day-to-day living can be perceived as stability. In other words, everything depends on your mind. Once again, it provided an opportunity to consider the world's relativity in everyday life beyond the realm of ceramics.
By harnessing the variability of materials that dry out in the air and solidify in heat, she conveys the meaning of accumulation, a prerequisite for the concept of diversity to be born (created) before the concept of relativity. Through the repetition of piling up the textured clay of different thicknesses to complete different organic-shaped sculptures, the idea of the accumulation of time and emotion is visually transferred in a similar way to how we collect memories. Furthermore, the intangible emotions and thoughts derived from everyday life are visually manifested in a myriad of hues on sculpture through unpredictable glazes. The soft curved shape found in the work connects not only Lydia's genre concerns about ceramics, longing for nature, and expression of accumulation, but also the flow or fluidity of inspired stories in everyday life.